Stories about Pakistani films

Tamanna: A step in the right direction for Pakistani cinema

There has to be something about a movie where a Pakistani audience sits silently in cinemas, where mobile texting and chatting during a movie is the norm otherwise, and watch two lead characters dominate the story in a single location for 83 minutes. Billed as Pakistan’s first ‘Film Noir’, Tamanna is definitely in a league of its own in the context of Pakistani cinema. Prominent film critic Taran Adarsh raised an important point upon release of the film Barfi!, “You don’t formulate movies (like Barfi!) targeting its box-office potential or its commercial prospects. You create such films for its passion of cinema.” This statement applies to Tamanna as ...

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Lemon squares with a sprinkle of Ali Zafar please!

Born and bred in good ol’ Lahore, this Lahori munda has done us proud in many fields. His claim to fame is painting, singing, dancing and acting. With his adverts zapped nationwide on billboards and television channels, singing and dancing to his own composition, Ali Zafar goes around painting the town yellow and red. Shuffling between the neighbouring Indian film industry, local adverts and composing albums, he is a busy man, yet he was kind enough to take my call whilst driving back home from his dentist appointment. Given the lack of time and opportunities to meet him, I managed a ‘lightning round’ with him ...

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Why are we being cut off from independent Pakistani films?

In the last few months, screenings of movies with a strong Pakistani connection has surged in the United States. It has been culturally very exciting and rewarding to watch these fantastic films and afterwards attend interactive sessions with their directors and crew-members.  Saving Face, These Birds Walk, Without Shepherd, The Waves, Night Life, Lamha (Seedlings), The Reluctant Fundamentalist, Zinda Bhaag, Torn, Wounds of Waziristan, Good Morning Karachi and Anima State were presented at different film festivals in the United States. A few also went into commercial distribution. While movies like Waar and Main Hoon Shahid Afridi did create a buzz in the Pakistani cinema market, most of the internationally released movies were overlooked by the mainstream Pakistani media. What ...

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