Stories about Pakistani film

Rustic and audacious, The Legend of Maula Jatt is a risk that just might pay off for Pakistani cinema

At the time of writing this article, the trailer for The Legend of Maula Jatt (LoMJ) has already garnered around three million views on multiple accounts on Facebook, around one million views on YouTube, and more than a million views through different reaction videos. It has generated the hype it truly deserved. Anurag Kashyap was one of the first ones to tweet about the trailer, while the likes of Karan Johar, Alia Bhatt and Sonam Kapoor are full of praise for what they have seen. Maula Jatt is back and this time its @_fawadakhan_ https://t.co/bgkA3017C3 #TheLegendofMaulaJatt #MaulaJatt — Anurag Kashyap (@anuragkashyap72) ...

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The only difference between Parchi and Arth 2/Chupan Chupai is the craftiness of its writer and director

The year 2018 has just begun and Pakistani cinema is all geared up with new releases for the new year. It is indescribable how good it feels to see our filmmakers trying their best in the capacity that they can, to keep producing films in a timely manner. Parchi is one film that created a lot of hype from the start, be it for Hareem Farooq’s fierce character, the catchy music, or the fact that this will be the first Lollywood film to be released in Saudi Arabia and France. The director, Azfar Jafri, started his career with Siyaah and ...

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Zindagi Kitni Haseen Hai: One of the better Pakistani movies of 2016

The Pakistani film industry was once known for great dialogues, amazing stories, and family-oriented dramas with significant entertainment value – that was between the 70s and 80s mostly. Zindagi Kitni Haseen Hay will be hitting the cinema screens in Pakistan this Eid. The film is packed with nostalgic reminders of all the aforementioned elements. It is the second directorial venture of Anjum Shahzad (his first was Mah-e-Mir (2016)). It marks the film debut of the main leads, which include Sajal Ali, Feroze Khan and Jibrayl Ahmed. The story revolves around Zain (Feroze Khan) and Mahira (Sajal Ali) who accidently bump into each other. Their love ...

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A common Pakistani’s response to Happy Bhag Jayegi director’s open letter

Mr Mudassir Aziz, Proud Indian, Director of Happy Bhag Jayegi. Dear Mr Mudassir Aziz, I just read your open letter to Pakistan on The Quint regarding the unfortunate ban on your film Happy Bhag Jayegi in Pakistan. I am not the person in charge but merely a common Pakistani, for whose benefit you want to get the film unbanned. Let me say at the outset, that having successfully fought against the YouTube ban as a lawyer in the Lahore High Court, I am absolutely opposed to censorship of any kind. I believe any speech, no matter how offensive, should be allowed unconditionally. I recognise that this ...

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Hotal is entirely an intolerable piece of hogwash

Hotal, the work of a New York Film Academy graduate, Khalid Hasan Khan, offered nothing surreal and nothing to write home about. Even though he won the Best Film award for his debut psycho-thriller at the Delhi International Film Festival 2014, his movie Hotal failed in many aspects. The lack of continuity, an insubstantial plot, and frequent editing bloopers served as serious mistakes that made the movie an extremely horrendous watch for the viewers. Hotal revolves around Kashika (Meera) and her wish to give birth to a daughter while her husband Naresh (Humayun Gilani) absolutely does not want to have another daughter. ...

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Bachaana: Another feather in our cap

With our local film industry upping its game with releases like Jawani Phir Nahi Ani (2015), Ho Mann Jahaan (2016) and Manto (2015), Nasir Khan’s Bachaana is another feather in the cap. The newly released flick stars an ensemble cast of Mohib Mirza, Sanam Saeed and Adeel Hashmi in pivotal roles. The movie starts with the introduction of Waqas aka Vicky (Mohib Mirza) who is a Pakistani working as a cabbie in Mauritius. Parallel to Vicky’s story is the story of a newly-wed Indian Muslim couple; Aalia played by Sanam Saeed and her husband Jehangir aka J played by Adeel ...

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Six reasons why Moor raised the bar for Pakistani cinema

Pakistani cinema is emerging at a very unique point in our cultural history. Hollywood is knocking at our neighbour’s door to the east as Bollywood sets its eye on the 500 crore club. On our Western front, Iran has become a globally recognised force in neo realist filmmaking, yet people get jailed there for dancing to a particular song. Afghanistan remains to be the centre of attention with a complicated set of woes and a new administration in place, and China is slowly becoming one of the biggest film markets in the world. In the middle of this hue and cry ...

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3 Bahadur – Another Lollywood milestone

Rewind 10 or 15 years from today to look at the shape and size of the Pakistani film industry, rather hilariously named as Lollywood, and you will not be able to help but wonder – how on earth did they come such a long way? From the days of dancing actresses trying to seduce their lovers in green fields to ground breaking movies like Bol, Waar, Na Maloom Afraad, Dukhtar, Zinda Bhaag and the likes – the progress and escalation of Lollywood in the right direction is very apparent. There’s a clear improvement in the scripts, the screenplay, direction and every aspect of the movie you would once laugh ...

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O21: Comically bad?

Perhaps the most impressive thing about O21 is that it was made at all. Aside from the fact that this bi-lingual Pakistani film boasts a talented cast of both Pakistani and foreign actors, and is helmed by filmmaker Jamshed Mahmood Raza, aka Jami – who here has directed his first feature length film – O21 also takes a risk by featuring a narrative that avoids all the cliché-ridden trappings of a Pakistani film. A bigger risk, however, is the pacing of the film, which at times is so slow that it makes the deliberately paced cinematic Steven Kubrick classic 2001: A Space Odyssey seem like Usain Bolt running on angel ...

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Why Fawad Khan is so ‘Khoobsurat’!

Jutt and Bond was where most of us first saw Fawad Afzal Khan. He was a skinny, lanky, clean shaven guy with bangs. Soon after, we were surprised to see him as the lead singer of Entity Paradigm (EP), a Pakistani nu metal band, with his husky, soulful voice and that pained musician look. That was when we, the female population of Pakistan, said to one another, “Hey, this guy’s not bad looking.” But little did we know that he would soon be making waves and creating magic on TV and the big screen. By frequently featuring in commercials, a few songs and TV serials ...

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