Stories about Na Maloom Afraad

Watch ‘Na Maloon Afraad 2’ for the entertainment movie that it is, nothing more

In 2014, Nabeel Qureshi and Fizza Ali Meerza paired up to direct and produce Na Maloom Afraad and it proved to be an instant box office hit. It is the longest running movie in Pakistani cinemas since 2007, beating the records of Khuda Kay Liye and Waar. After three years, the duo returned to direct and produce Na Maloom Afraad 2, which was released over Eidul Azha. Before we get into the nitty-gritty of the movie, it is important to applaud and appreciate the fact that two remarkable Pakistani movies, Punjab Nahi Jaungi and Na Maloom Afraad 2, were released in succession. This is a ...

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Will Naa Maloom Afraad 2 be as good as its predecessor?

Na Maloom Afraad 2 is the sequel we’ve been waiting for. The original Pakistani comedy thriller, Na Maloom Afraad, was released in 2014 and saying that it took cinemas by a storm would be an understatement. Fahad Mustafa (Farhan), Javed Sheikh (Shakeel), Mohsin Abbas Haider (Moon) and Urwa Hocane (Naina) reprise their respective roles in this sequel directed by Nabeel Qureshi. The film is produced by Fizza Ali Meerza and Mehdi Ali and is written by Qureshi and Meerza. Na Maloom Afraad broke records to become the longest running Pakistani movie in cinemas when it was shown for 165 consecutive days following its release in October 2014. ...

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Actor In Law: Manmohan Desai’s brand of cinema

Let me admit that I did not know who Nabeel Qureshi was before entering the theatre to watch Actor In Law. I did not watch Na Maloom Afraad (2014), primarily because of its eerily similar appearance to Hera Pheri (2000), until I watched it a couple of weeks back. Nevertheless, the trailer of Actor In Law was intriguing despite, yet again, giving a similar feel to that of Govinda’s Kyo Kii… Main Jhuth Nahin Bolta (2001), which was similar to Liar Liar (1997) of Jim Carey. I was intrigued because it’s not very often that you get a chance to see Om Puri in a Pakistani film. If Actor in Law was made 30 years ago, Amitabh ...

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Hijrat: A step back for Pakistani cinema

Since Pakistan’s cinema industry began its journey towards improvement and development, directors began sharing unique stories through their movies. Where Na Maloom Afraad, Waar, Karachi Se Lahore, and Manto amongst others boosted the revival of Pakistani cinema, it also provided a platform for directors to display their immense talent. However, the recently released Hijrat, directed by Farooq Mengal, failed to make the same impact as it fell short in a number of areas. Simply put, the acting in Hijrat is plain, flat and mediocre. It felt as if the actors were reading the script without emotions, completely detached from their assigned characters. Moreover, the romantic scenes failed ...

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Six reasons why Moor raised the bar for Pakistani cinema

Pakistani cinema is emerging at a very unique point in our cultural history. Hollywood is knocking at our neighbour’s door to the east as Bollywood sets its eye on the 500 crore club. On our Western front, Iran has become a globally recognised force in neo realist filmmaking, yet people get jailed there for dancing to a particular song. Afghanistan remains to be the centre of attention with a complicated set of woes and a new administration in place, and China is slowly becoming one of the biggest film markets in the world. In the middle of this hue and cry ...

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Karachi se Lahore: A one-man show of hilarity

Karachi Se Lahore is another comedy flick from the back to back line-up in Pakistani cinema. It is directed and produced by Wajahat Rauf and the screenplay was written by Yasir Hussain. The story kicks off with the introduction of Zaheem (Shahzad Sheikh) and Maryam (Ayesha Omar) who are neighbours constantly arguing and fighting on senseless issues. Zaheem is seen living alone in an apartment (no mention of his family) and is a banker at Habib Bank Limited (HBL) (too much branding, as expected) who is clearly not happy with his current situation. Being the lead in the film, his acting on the big ...

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Zimbabwe’s visit to Pakistan: Dawn of a new era?

“Daarhion ne phir marwa diya hai” (The beards [bearded men] have gotten us into trouble again) These were the first words I heard on a dreary school morning as news of the attackon the touring Sri Lankan team made the headlines. A desolate shroud enveloped Zinda Dilan-e-Lahore as news broke that the bus carrying the touring Sri Lankan cricket team was fired at by a coterie of Kalashnikov toting ‘na maloom afraad’ in broad daylight. The nearby elite would hear of such incidents up in the agencies next to the Afghan border and seldom, the Taliban types would make it as far as Peshawar, but a gun massacre somewhere as central ...

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We do not need ‘billis’ to flaunt our ‘jawani’ in Lollywood

After successfully objectifying women in the ‘100 glorious years of Indian cinema’, Bollywood now recognises its part in influencing commoners, what till now has been ‘a bad influence’. It took Bollywood God knows how many Jyoti Singhs to realise what a mess their sexist approach in cinema has caused in populous India. I feel sorry for them. I feel sorry that our neighbours are in trouble; our fellow women are not safe. But at the moment, I’m more concerned about how all this affects Pakistan. Our cinema is going through an interesting phase of its revival, but the same sexist approach has come to trouble us too. Recent ...

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Do we want our children singing and dancing to ‘Baby doll mien sone di’?

At ease, liberals, as this won’t be a furious grandparent’s rant on the corrupting influence of today’s music. This is a critical analysis of the influence of modern “item songs” on young people, without invoking a moralistic argument. Veteran actor, Shabana Azmi, recently rebuked item songs in the following words: “I am saying let it be an informed decision. I am not going to dictate what you should do. But be aware that when you do a song like that it is leading to the sexualisation of children and there are four-year-old girls dancing at all kinds of weddings to really bad songs.” Stating ...

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3 Bahadur – Another Lollywood milestone

Rewind 10 or 15 years from today to look at the shape and size of the Pakistani film industry, rather hilariously named as Lollywood, and you will not be able to help but wonder – how on earth did they come such a long way? From the days of dancing actresses trying to seduce their lovers in green fields to ground breaking movies like Bol, Waar, Na Maloom Afraad, Dukhtar, Zinda Bhaag and the likes – the progress and escalation of Lollywood in the right direction is very apparent. There’s a clear improvement in the scripts, the screenplay, direction and every aspect of the movie you would once laugh ...

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