Stories about Na Maloom Afraad

From the moneymaker to the ‘accidental hero’, 2018 has been a booming year for our film industry

The year is almost over, and there is no doubt the ‘revival’ of Pakistani cinema continued in 2018. It would even be fair to say the so-called revival phase is over and the industry has stabilised to a degree. It should only go up from here, as our filmmakers have now understood the basic needs of the modern cinema going audience. While production values, music and the film treatments have significantly improved, the stories remain the weak link. However, this is a problem with most large-scale films, even across the border. Yes, there are still some black sheep insisting ...

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With a wafer-thin yet bipolar plot, Load Wedding cannot decide what it wants to be

With films like the Na Maloom Afraad series and Actor In Law under his belt, Nabeel Qureshi has not only entertained audiences but has also pulled off three of his ventures thus far. It won’t be wrong to say that Qureshi is a filmmaker for the masses, with Na Maloom Afraad being a genuine entertainer, whereas its sequel – loaded with toilet humour – also received appreciation, though not as much as the original. So what happens when a director known for mass entertainers tries something new and moves towards a different genre, with a film that centres on a ...

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Jawani Phir Nahi Ani 2 is one of the finest comedies to come out of the Pakistani film industry

Very few sequels receive more appreciation than the original film itself. For instance, Na Maloom Afraad was brilliant when it was released, but Na Maloom Afraad 2 was not as crisp, witty or smart as the original. The same goes for the Hera Pheri series across the border; part one was phenomenal, but it only went downhill after that. Jawani Phir Nahi Ani 2, the follow up to 2015’s Jawani Phir Nahi Ani, had all the winning elements on paper; from an intriguing trailer, stellar cast, and actually funny jokes, the film seemed set to emerge victorious at the ...

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Hypocrisy 101: Veere Di Wedding is vulgar, but Jawani Phir Nai Ani or Sonu Ke Titu Ki Sweety weren’t?

Bollywood’s latest female-centric flick, Veere Di Wedding is the most recent film to be banned by the Censor Board of Film Censors (CBFC) from releasing in Pakistan. According to their findings, the film had “vulgar language” and “questionable content”. From the looks of the trailer, Veere Di Wedding is Bollywood’s closest remake of Sex and the City. A tale of four girlfriends who are wading through the rough waters of romance, marriage and family, all the while supporting each other and finding solace in friendship. For South Asian audiences, this movie is almost a pioneer in terms of showing female friendship ...

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Sheheryar Munawar goes from ‘bhaijaan’ to ‘jaan’ with Mahira Khan’s help in 7 Din Mohabbat In

Pakistan’s blooming film industry has branched itself out with multiple genres; from the family drama in Janaan by Azfar Jafri and Imran Raza Kazmi, to Shoaib Mansoor’s social drama in Verna. However, it goes without saying that our film industry has also given audiences a string of comedy films that left us in a fit of laughter! To name a few of the star-studded hits filmmakers graced us with, we’ve had Na Maloom Afraad and its sequel, along with Karachi Se Lahore, Jawaani Phir Nahi Aani, Actor In Law, and most recently, Parchi. Directed by Meenu Gaur and Farjad Nabi, 7 Din Mohabbat In has been the talk of ...

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Watch ‘Na Maloon Afraad 2’ for the entertainment movie that it is, nothing more

In 2014, Nabeel Qureshi and Fizza Ali Meerza paired up to direct and produce Na Maloom Afraad and it proved to be an instant box office hit. It is the longest running movie in Pakistani cinemas since 2007, beating the records of Khuda Kay Liye and Waar. After three years, the duo returned to direct and produce Na Maloom Afraad 2, which was released over Eidul Azha. Before we get into the nitty-gritty of the movie, it is important to applaud and appreciate the fact that two remarkable Pakistani movies, Punjab Nahi Jaungi and Na Maloom Afraad 2, were released in succession. This is a ...

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Will Naa Maloom Afraad 2 be as good as its predecessor?

Na Maloom Afraad 2 is the sequel we’ve been waiting for. The original Pakistani comedy thriller, Na Maloom Afraad, was released in 2014 and saying that it took cinemas by a storm would be an understatement. Fahad Mustafa (Farhan), Javed Sheikh (Shakeel), Mohsin Abbas Haider (Moon) and Urwa Hocane (Naina) reprise their respective roles in this sequel directed by Nabeel Qureshi. The film is produced by Fizza Ali Meerza and Mehdi Ali and is written by Qureshi and Meerza. Na Maloom Afraad broke records to become the longest running Pakistani movie in cinemas when it was shown for 165 consecutive days following its release in October 2014. ...

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Actor In Law: Manmohan Desai’s brand of cinema

Let me admit that I did not know who Nabeel Qureshi was before entering the theatre to watch Actor In Law. I did not watch Na Maloom Afraad (2014), primarily because of its eerily similar appearance to Hera Pheri (2000), until I watched it a couple of weeks back. Nevertheless, the trailer of Actor In Law was intriguing despite, yet again, giving a similar feel to that of Govinda’s Kyo Kii… Main Jhuth Nahin Bolta (2001), which was similar to Liar Liar (1997) of Jim Carey. I was intrigued because it’s not very often that you get a chance to see Om Puri in a Pakistani film. If Actor in Law was made 30 years ago, Amitabh ...

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Hijrat: A step back for Pakistani cinema

Since Pakistan’s cinema industry began its journey towards improvement and development, directors began sharing unique stories through their movies. Where Na Maloom Afraad, Waar, Karachi Se Lahore, and Manto amongst others boosted the revival of Pakistani cinema, it also provided a platform for directors to display their immense talent. However, the recently released Hijrat, directed by Farooq Mengal, failed to make the same impact as it fell short in a number of areas. Simply put, the acting in Hijrat is plain, flat and mediocre. It felt as if the actors were reading the script without emotions, completely detached from their assigned characters. Moreover, the romantic scenes failed ...

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Six reasons why Moor raised the bar for Pakistani cinema

Pakistani cinema is emerging at a very unique point in our cultural history. Hollywood is knocking at our neighbour’s door to the east as Bollywood sets its eye on the 500 crore club. On our Western front, Iran has become a globally recognised force in neo realist filmmaking, yet people get jailed there for dancing to a particular song. Afghanistan remains to be the centre of attention with a complicated set of woes and a new administration in place, and China is slowly becoming one of the biggest film markets in the world. In the middle of this hue and cry ...

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