Stories about lollywood

The struggle has paid off – the Pakistani film industry is finally awake

There is certain redemption in resurgence. A feeling of hope and of renewal, of things starting anew, of setting the old wrongs right. Pakistani cinema has come up by leaps and bounds in the last few years. From a struggling franchise engulfed in out-dated ideas desperately clinging on in order to survive and become a booming industry reminiscent of the golden days and a slight peek into the wondrous possibilities that lie ahead. Pakistani cinema has finally arrived and as a keen devotee of this resurrection it is apparent that the film industry is here to stay. Although the current situation resembles ...

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Revenge of the Worthless is truly worthless

Who is not aware of Jamal Shah’s potential? He is amongst the most creative minds of Pakistan. Shah was involved in cross-border projects back in the 80’s and 90’s. Revenge of the Worthless is Shah’s directorial debut in the Pakistani film industry. This time Shah made his comeback with a highly potent cast including veteran actors Firdaus Jamal and Ayub Khoso. Having said that, there are many things the movie has to offer to its viewers. The plot of Revenge of the Worthless is based on the 2009 Swat insurgency. It shares the story of an upright progressive man Zarak Khan (Jamal Shah), a boy named Gulalai (Abdul Raheem) ...

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Hotal is entirely an intolerable piece of hogwash

Hotal, the work of a New York Film Academy graduate, Khalid Hasan Khan, offered nothing surreal and nothing to write home about. Even though he won the Best Film award for his debut psycho-thriller at the Delhi International Film Festival 2014, his movie Hotal failed in many aspects. The lack of continuity, an insubstantial plot, and frequent editing bloopers served as serious mistakes that made the movie an extremely horrendous watch for the viewers. Hotal revolves around Kashika (Meera) and her wish to give birth to a daughter while her husband Naresh (Humayun Gilani) absolutely does not want to have another daughter. ...

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A spooky treat: Pakistan’s first believable found-footage film, Aksbandh

Aksbandh, Lollywood’s first-of-a-kind horror movie, which has been inspired by the found-footage format in American supernatural horror movie series Paranormal Activity, hit cinemas on May 20, 2016. The movie, which is also similar to the Final Destination series, was made in partnership with Hum TV, Urdu1 and Express News, and has been directed by Emram Hussain and co-written by Ayaz Samoo. The story revolves around a group of amateur college-going film-makers who wish to make a movie of their own. To shoot their project, they decide to go to the Mangrove forests of Larkana (Sindh). The group starts its adventure in a frenzy of excitement. However, as they go further onto ...

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Does the “Urdu problem” lie with Mah-e-Mir or us?

This Mother’s Day I took my mother out on a date to watch Pakistani cinema’s latest flick Mah-e-Mir. Luckily, it has not been banned as yet. I am not a movie buff per say, but I do end up going to the cinema every other week to take a break from reality. So, I hardly ever read movie reviews before watching movies. I like to watch a movie with a blank mind, having nothing to compare it with and judge it based on the entertainment value. I went in judging from the title that Mah-e-Mir would probably be based on the ...

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The Muse: Mah-e-Mir

Mah-e-Mir, a film directed by Anjum Shehzad and produced by Syed Noor in collaboration with Momina Duraid was released on May 6, 2017. I believe it has outdone all other Lollywood films in terms of language and cinematography. The star studded cast includes Fahad Mustafa (Jamil), Sanam Saeed (Naina) Iman Ali (Mehtab Begum), Manzar Sehbai (Dr Kaleem) and Alyy Khan (Nawab Sahab). Sanam SaeedPhoto: Facebook Alyy Khan.Photo: Twitter The thematic concern of the film is to decipher between feeling and mood, voice and gesture, imagination and reality. The opening scene and dialogue are truly mesmerising. “I sat in solitude, but then ...

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Bachaana: Another feather in our cap

With our local film industry upping its game with releases like Jawani Phir Nahi Ani (2015), Ho Mann Jahaan (2016) and Manto (2015), Nasir Khan’s Bachaana is another feather in the cap. The newly released flick stars an ensemble cast of Mohib Mirza, Sanam Saeed and Adeel Hashmi in pivotal roles. The movie starts with the introduction of Waqas aka Vicky (Mohib Mirza) who is a Pakistani working as a cabbie in Mauritius. Parallel to Vicky’s story is the story of a newly-wed Indian Muslim couple; Aalia played by Sanam Saeed and her husband Jehangir aka J played by Adeel ...

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11 things we learnt from Ho Mann Jahaan

“Ho Mann Jahaan”, apparently among Pakistan’s most anticipated films, released recently to packed houses and rave reviews. While there’s enough in the film to keep you glued to the seats, Pakistan has definitely seen better films lately. An amazing soundtrack, a boisterous star-cast, decent acting, ample use of flashy colours, spectacular cinematography and some great locales are some of the film’s strong points. However, there’s more to the film; and far more shades of grey that go well in one flick. So here’s a round-up of the deeper meanings and greater life lessons from “Ho Mann Jahaan”. No spoilers ...

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6 ways Jawani Phir Nahi Aani proves what’s past is prologue

This year witnessed Pakistani cinema step out of a murky and Bolly obsessed past into a well-choreographed, seductive, witty, and innuendo-filled cinematic future. For a country, now in its 69th year of independence, that once teemed with 1500 movie houses – it’s about time. The 2015 blockbuster, Jawani Phir Nahi Ani (JPNA), was the perfect culmination to a year of decent Lollywood films. Below are the venerable author’s six astute observations on the three hour Nadeem Baig comedy on the burdened life of three bachelors under the tyranny of their wives. 1. “What happens in Bangkok stays in Bangkok” Photo: Jawani Phir Nahi Ani ...

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Move over, Shaan: Dear Lollywood, please stop with your nepotistic ways

Nepotism has a new face in Pakistan. Can you guess who it is? No, it’s not Nawaz Sharif. It’s not the Bhutto clan. It’s not the politicians or the bureaucracy. All those institutions have been swept aside by that new lady in town. We fondly call her ‘Lollywood’, but she’s more formally known as Pakistan’s film industry. She isn’t really new, but her recently acquired contemporary ornaments have taken years off her face. She wears Bol around her neck, carries Bin Roye under her arm and has crowned her head with Waar. In step with her is her entourage; a horde of uncles and aunties, brothers ...

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