Lincoln: Steven Spielberg’s new oscar-contending masterpiece

Published: January 12, 2013
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A president who was prepared to do what was right even if it meant losing half the country. PHOTO: REUTERS

A president who was prepared to do what was right even if it meant losing half the country. PHOTO: REUTERS Two and a half hours spent on this masterpiece could only be considered time well spent.
PHOTO: https://www.facebook.com/LincolnMovie?fref=ts Two and a half hours spent on this masterpiece could only be considered time well spent.
PHOTO: https://www.facebook.com/LincolnMovie?fref=ts Two and a half hours spent on this masterpiece could only be considered time well spent.
PHOTO: https://www.facebook.com/LincolnMovie?fref=ts Two and a half hours spent on this masterpiece could only be considered time well spent.
PHOTO: https://www.facebook.com/LincolnMovie?fref=ts

To get right to the point Lincoln was a great movie. What made it so? Well therein lays the romp.

Time and Memorial writers have vainly tried to measure the chalice of greatness from comparisons to Greek mythology to the use of words that are rarely entertained by the common man’s diction.

My belief is that the explanation lies in simplicity.

What is it that garners tones of reverence and sparks the flame of excitement when an audience sees the “directed by Steven Spielberg” credit flash on a screen?

It is his uncanny ability to tell a story. The bedrock of his success lies in not just leaving his audience amazed but in making them fall in love with the characters on display.

While his last two ventures left much to be desired, Lincoln serves as important reminder of his stature and in Daniel Day Lewis, he may just have found his latest muse.

Lincoln unlike its predecessors spotlights a struggle against the crushing yolk of slavery rather than his infamous assassination.

The passing of the 13th amendment under the growing cloud of the emancipation proclamation takes centre stage as audiences find a president besieged by war and a divided congress (my how times have changed, eh?)

It is a story that should reverberate strongly in a country like Pakistan where the rights of women and minorities are so often and legally cast aside.

Lewis’s portrayal of Lincoln is nothing short of phenomenal – a quality that somehow managed to balance humanity with an almost scientific precision rarely seen on screen for much of 2012.

There is an aura about his presence that supersedes some rather brilliant work by his co-stars. The likes of Sally Filed’s (Mary Todd Lincoln) and Tommy Lee Jones (Thaddeus Stevens) deserve to take a bow.

My only complaint with the casting lay in the selection of Joseph Gordon-Levitt as Robert Todd Lincoln. While I count myself amongst the many in a growing cue of those who have been continuously impressed with his meteoric rise, his portrayal in this instance left much to be desired and bordered on being labelled ‘vanilla.’

Seven golden globe nominations is a fair reflection of a film that seems to have knocked Argo out of contention as a frontrunner for Oscar glory. Truth be told, whoever picks up the golden statue on February 24, 2013 the fact remains that the two and a half hours spent on this masterpiece could only be considered time well spent.

On a side note, wouldn’t it be fantastic if a few of our “politicians” could take a page out of Lincolns book?

A president who was prepared to do what was right even if it meant losing half the country, rather than one who runs the other way when the illiterate cry blasphemy.

Food for thought!

Correction: An earlier version of this post incorrectly listed the 13th amendment as the 18th amendment. This has been changed.  

Read more by Shehan here, or follow him on Twitter @ShehanRayer

Shehan Rayer

Shehan Rayer

Former writing enthusiast turned journalist turned Radio Jockey; still a writing enthusiast and a Radio Jockey. He tweets @ShehanRayer (twitter.com/ShehanRayer)

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