Stories about pakistani dramas

Sangat proves that mothers will always force their daughters to stay silent about abuse

Written by Zafar Mairaj who has also recently penned down Muqabil, another drama that deals with a victim of sexual abuse, Sangat has hundreds of snags and a few redeeming points. The plot Ashi (Saba Qamar) is a cheerful, bright woman married to Adnan (Mikaal Zulfiqar) and lives with him in their house along with her sister-in-law, Farah (Kiran Haq) and mother-in-law (Samina Ahmed). It’s all hunky dory. Adnan is a doting husband, Ashi is a dutiful wife. But they can’t have kids because Adnan needs to undergo medical treatment in order for Ashi to conceive, a matter which he is delaying. ...

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Does ‘Punjab Nahi Jaungi’ have what it takes to rejuvenate Pakistan’s film industry?

There is a lot of spectacle, colour, emotion, singing and dancing in the recently released teaser of Punjab Nahi Jaungi. Two beautiful ladies, however, stand out amidst all the razzle and dazzle of the decidedly glitzy 75-second video. One is the glamorous Saba Waseem Abbas who walks ever so seductively, wearing pink, orange and purple, to welcome a triumphant Humayun Saeed to her home. The second is the perennially beautiful Naveed Shahzad who registers her regal presence in the teaser with remarkable grace and style. Photo: Screenshot There is, of course, no shortage of eye candy in Punjab Nahi Jaungi. The first collaboration of ARY Films and Six Sigma ...

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Rasm-e-Duniya: Why are Pakistani dramas obsessed with weepy women and damsels in distress?

Rasm-e-Duniya, starring Armeena Rana Khan, Samina Peerzada, Sami Khan and Bilal Abbas, has faced a lot of criticism from audiences for resorting to the familiar trope – the dukhiyaari damsel.  Let’s break down the play. The protagonist is Haya (Armeena Khan) who is pressured into marrying Harib (Sami Khan) by her family. But the situation takes an ugly turn since Haya and Harib’s elder brother, Farris (Bilal Abbas), were in love with each other. Mussarat (Samina Pirzada) is Farris and Harib’s mother, and was incidentally in love with Haya’s father, Tabrez. Since Mussarat was unable to marry Tabrez, she is extremely bitter and wants everyone around her to ...

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Khuda Mera Bhi Hai: A game changer for Pakistan’s dramasphere

Pakistani dramas are always under fire for portraying the ‘weepy woman’ and the ‘naik perveens’ that seem to have no spine or are always victimised. People tell me that I must have nerves of steel to watch dramas that are full of tears and misery.  Well, I do. But that’s not the end of it. There is a gradual change that’s happening in the Pakistani dramasphere. Women are taking on risky roles and writers are writing scripts where women don’t have to spend at least 20 out of 24 episodes crying about their husbands and their mother-in-laws. One recent game changer that has aired on ...

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Why is Asim Raza so surprised with the unfair, illogical and unjustifiable Lux Style Awards nominations?

Asim Raza, the maker of feature film Ho Mann Jahan, is not happy with the nominations for the 2017 Lux Style Awards. His displeasure is both understandable and inexplicable. It is understandable because his film, nominated in five out of eight categories for film, seems to have been selected without much deliberation, thought and, if you will, intelligence. The film featured outstanding performances by two young actors, Sheheryar Munawar Siddiqui and Adeel Hussain, but neither one of the two has been nominated in the ‘Best Film Actor’ category. Siddiqui, who was wonderful in the film, has been relegated to the ‘Best Supporting Film Actor’ category whereas Hussain, ...

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Are Pakistani dramas losing the plot?

I am a closet drama viewer. There I said it. I am even part of a WhatsApp group that discusses and disses with equal panache anything on either side of the border and beyond. I don’t exactly recollect when this love fest started, perhaps it was as a child in my hometown Jalandhar in Punjab where we would excitedly catch an erratic signal from across the border telecasting the black and white drama Sona Chandi or maybe the reception was so blurry that we couldn’t really tell any colours! Then came ‘Tanhaiyan’ followed soon after by the iconic ‘Dhoop Kinare’, which we ...

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Our society needs drama’s like Sammi

The most recent episode of the on-going serial Sammi is all about how brilliantly Mawra Hocane and Sania Saeed have performed. Sammi, airing on Hum TV every Sunday, talks about the prevalent custom of vanni in Pakistan. According to Pakistan’s Penal Code, vanni is a custom that is outlawed and has a fine imposed along with imprisonment for anyone who practices it. However, the state organs are weak and vanni continues to be practised in many parts of Pakistan. Simply because the cultural practice has a stronghold in the country and the predominant jirga system has now been given constitutional cover. Through these dramas, however, one can hope that more and more ...

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Is there a second amorous affair brewing in Saanp Seerhi?

For an average serial, one of the most vital moments is when cupid strikes. However, it is hard to establish such a plot in certain dramas where power and politics form the backdrop. So seems to be the case with Saanp Seerhi. With loud, ruthless socio-political commentary in the background, the love story of Mohid and Sophia is a faint thump.  Politicians stepping into puddles for footage (no points for guessing the inspiration behind this), and enforcing their progeny upon their voters as future masters and their complicated relationship with the media indicates the focus of the drama quite clearly. ...

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The good, the bad and the ugly of Pakistani dramas in 2016

This year’s Pakistani dramaverse was filled with a lot of unlikely hits and misses. While some storylines I expected to be worth the wait were substandard, there were many others that performed exceedingly well. Our storylines this year also proved that Pakistani audiences are maturing and the drama market is the best way to reach into the very core demographic of the Pakistani household. Udaari This show was a powerful crime-drama that highlights the crucial issue of sexual abuse in the country. The drama entails a cast full of stars such as Ahsan Khan, Urwa Hocane, Farhan Saeed, Samiya Mumtaz, and Bushra Ansari playing key roles. The plot follows Meera (Urwa) and Zebo ...

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Our actors are wasting their talent on Pakistani dramas like Sanam

Does anyone miss Fifty Fifty? Studio Dhai and Ponay Teen? It’s the age of Snapstories going viral and two second GIFs primarily providing the fodder for comedy. I have often tried to watch some comedy serials on television but it’s difficult to tolerate them for more than five (10, if you’re really that starved for entertainment) minutes. That’s all the more reason why I feel terrible when I see a talented comedian like Osman Khalid Butt playing regressive, emotional, and clearly messy roles like Haarib in Sanam. In the recent episode of Sanam, Haarib berates Aan (Maya Ali) for not picking up her phone because her mother just had ...

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